Ples s maskama

Ples s maskama, bronca, visina 210 cm, Novi Vinodolski

Ples s maskama

Skulptura Ples s maskama alegorijska je priča o potiskivanju zla i uzdizanju dobra.

Formom razvedena, dinamično izmodelirana skulptura predstavlja dugonogu plesačicu ritualnog plesa koja svojom lijevom rukom potiskuje prema zemlji masku zla, a svojom desnom rukom uzdiže masku dobra.

Skulptura je puna ritma, gdje dominiraju pokret i energija.

Lice plesačice je također maska.

Maske DOBRA i ZLA modelirane su obostrano. Maska DOBRA svojom modelacijom pozitiv – negativ asocira na SUNCE.

Maska ZLA, nazvana Green man, također ima dva lica, ali niti jedno od dva lica nije neko veliko zlo, već su obje zanimljive i privlačne.

I formom i sadržajem skulptura je bazirana na kontrastima: dobro i zlo istodobno, elegantno i snažno istovremeno, dominirajuće snažne noge u pokretu i nježni ženski torzo izbačenog boka, dugačke ruke …

Naglašeni pojedini dijelovi tijela ove androgene skulpture potenciraju dramatičnost radnje koja se odvija unutar pokreta i života same skulpture.

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Dance with the Masks

The sculpture Dance with the Masks is an allegorical story of demotion evil and elevation of good.

The sculpture has an elaborated form and dynamic modelling all of which enrich its presentation of the long-legged ritual dancer who demotes the mask of evil to the ground, and with her right hand elevates the mask of good.

The scultpure is full of rhythm through which movement and energy dominate.

The face of the dancer is also a mask.

The masks of Good and Evil are both modelled as two-sided masks. The mask of Good which modelled as positive-negative mould which is associated with the Sun.

The mask of Evil, also known as the Green Man, has also got two faces but neither of them represents a great evil as both are interesting and attractive.

The sculpture is based on contrasts by both form and content: good and evil represented simultaneously, elegant and strong at the same time, dominant strong legs in movement and gentle female torso with protruding hip, long legs, etc.

Accentuated parts of the body of this androgynous sculpture increase the dramatic action of the movement and life of the sculpture itself.